Wednesday, February 28, 2018

Reading Notes:Narayan's Mahabharata, Part D

Reading Notes: Narayan's Mahabharata, Part D
Arjuna and Krishna
Image Source


Plot: 
Krishna will have to go to Hastinpura on behalf of Yudhishthira. Dhritarashtra hears about Krishna coming and longs to give him the ultimate celebration on behalf of his visit. Vidura knows that Krishna only desires peace and justice rather than a celebration and tried to explain this to the king. Duryodhana makes a plan to captivate Krishna. Before he leaves, Krishna tells Karna that he will be loyal to him and then tried to convince him to abandon Duryodhana. Karna says a hard "no" and promises Kunti that Arjuna will be attacked in the upcoming battle and the other four sons will remain untouched. The war happens and the Arjuna is upset he will have to combat his guru Drona and his own family as well. Krishna knows this and sings "Song of the Lord" to him. Arjuna is now ready for war. Dhrishtadyumna attempts to murder Drona because of his dad's humiliation but Drone doesn't allow this to take place. Bhishma is wounded. More revenge. Karna now goes in to fight. Abhimanyu, Jayadratha and Arjuna all have a showdown. The goal is to kill Ghatokacha. Drona is murdered by Dhrishtadyumna. So much death takes place and wounds abound. After the battle, the Pandavas return to Hastinpura. Yudhishthira becomes king. Krishna is killed while sleeping by the river. All the Pandavas die also. Arjuna's grand son grows up to be king of Hastinapura and the Pandava line lives on.

Characters:
Duryodhana-the eldest of the Kauravas
Dhritarashtra-King of Hastinapura, not easily persuaded
Bhishma and Vidura
Ulupi-the naga princess who marries Arjuna
Yudhishthira-new king of Indraprastha
Maya-great ancient king of the asura, daitya and rākṣasa race
Shakuni-Duryodhana's maternal uncle 
Bhima-the second of the Pandavas
Urvashi-an apsara who falls in love with Arjuna

Nakula-the fourth of the five Pandava brothers 
Yama--the god of death and of Dharma
King Virata-king of Virata Kingdom
Draupadi--hairdresser of Queen Sudeshna
Kichaka-Queen Sudeshna's brother

Setting: 
Camp near the Pandavas
Forest near the lake
Virata Kingdom


Bibliography: 

R. K. Narayan, The Mahabharata, Page 85-131, Reading Guide

Reading Notes: Narayan's Mahabharata, Part C

Reading Notes: Narayan's Mahabharata, Part C

Bhima defends Draupadi from Kichaka
Image Source


Plot: 

Dhritarashta finds out through his spies that the Pandavas have a plan with Arjuna concerning the weapons he is teaching them how to use. Shakuni encourages Durodhana to create a camp near the Pandavas to shame them. The gods have a different plan. They intend to send a gandharva to make Duryodhana act. The battle takes place and the gandharvas capture Duryodhana but then the Pandavas set him free. The plan backfires. While in the forest the Pandavas notice a brahmin walking who claims a large deer stole his staff and kindling to make a fire for sacrifice. The Pandavas try to capture the deer but fail. Nakula sees a lake but then a voice appears and say he must answer questions before drinking from the lake. Nakula, being thirsty, refuses to answer and drinks anyway. Sahadeva, Arjuna, and Bhima all do the same and all die. Yudhishthira runs over and find all brothers to have ceased from existence. Yama was testing them. The brothers rose again and then were given the gift of unrecognizability. After 12 years, the 13th year is spent at the court of King Virata. Yudhishthira plays a game of dice with him. Bhima is a cook, Nakula is a stable boy and Sahadeva is a cowherd. Arjuna lives as a eunich and a crisis happens where Draupadi is raped by Kichaka and Draupadi wants revenge. Kichaka is killed. The cattle raid happens. A war preparation happens with Balarama and Krishna and dissension at Hastinapura takes place. The Pandavas plead for peace and Yudhishthira tells Sanjaya to tell Hastinapura to give him five villages for the brothers. The sons are banished. Gandhari finally says war is over and Vyasa believes war will be the doom.

Characters:
Duryodhana-the eldest of the Kauravas
Dhritarashtra-King of Hastinapura, not easily persuaded
Bhishma and Vidura--
Ulupi-the naga princess who marries Arjuna--
Yudhishthira-new king of Indraprastha--
Maya-great ancient king of the asura, daitya and rākṣasa races--
Shakuni-Duryodhana's maternal uncle 
Bhima-the second of the Pandavas--
Urvashi-an apsara who falls in love with Arjuna--

Nakula-the fourth of the five Pandava brothers 
Yama--the god of death and of Dharma
King Virata-king of Virata Kingdom
Draupadi--hairdresser of Queen Sudeshna
Kichaka-Queen Sudeshna's brother

Setting: 
Camp near the Pandavas

Forest near the lake
Virata Kingdom

Bibliography: 

R. K. Narayan, The Mahabharata, Page 85-131, Reading Guide

Saturday, February 24, 2018

Week 07 Story: Beyond the Tower

Beyond the Tower


Rapunzel
Image Source


Once upon a time, there lived an elderly woman named Rapunzel.

Now this woman was no ordinary woman. She actually had quite an adventurous life and had lived in a tower at one point. She was kidnapped as an infant. She never wanted anyone to know, but now she was on her way to telling an infamous, yet riveting story...

Rapunzel was about to tell her grandchildren her life story.

Her nerves almost got the best of her. She paced up and down the hallway, her grandchildren sitting in the guest bed playing with their new toys they had just received from her on the visit. Rapunzel had never told her own children of the life she used to live, but she knew she must tell someone so the story never was truly lost. Even if they did not know the story was about her, she must say it. She must.

Rapunzel walks in their room with a soft smile and a tender face. She is at peace knowing these young ones will carry on the name well and grow up to retell a story so precious to her.

"Okay, little ones. Time to go to bed, but first, a bedtime story. Who would like to hear?" Rapunzel asked.

"Oh me! Oh me!" says little Ruth.

"Me too! Me too!" says little Forrest.

"I declare this story to be told. Let's begin." said Rapunzel.

The children nestled into their covers. Rapunzel breathed in and out. This was it. The story was being told.

The Story

Once upon a time, in a land far, far away, there lived a princess. When she was young, she was stolen from her parents and taken to a tower by an evil woman who just wanted to be young again. You see, this princess had special hair that magically healed any thing that needed healing. Did I mention it was long? It reached from the top of the tower to the bottom. The princess was kind. She was servant-minded. She was a daughter worthy of praise, except she never received praise.

One day on her sixteenth birthday, she sent the evil woman to the market to get her some paints. Before the evil woman leaves, she warns the princess to never go with a group of horses that run through the pasture below them. These horses were known as "the Maximus".

"The Maximus you should not make peace with. I thought they were dead, but indeed they are living." said the evil woman.

"Okay. I will not speak with them." said the princess, who had every intention of being kind to all that passed by the tower.
Lo and behold, the Maximus came by soon after the evil woman left. Rapunzel watched them run down the mountain and into the pasture below her. She knew they did not get along with the evil woman who kept her in the tower and she had to make peace with them.
"Hello friends! Would you like to come in for some tea?" She called out to them.
The horses looked at each other and smiled. It had been a long time since someone had actually cared enough to invite them in.
The leader of the pack called back to her, "Of course! We would be honored to sit in your presence, miss."
The princess lifted each horse up, one by one, into the tower. As they sat and had tea, they discussed the hardships they had all been through. The princess had an idea. Why not give them some land in the pasture to graze for a few days? They needed a place to stay. She asked them and they agreed to take a portion of the land below her. When the evil woman returned, they would work it out through a game of dice.
The evil woman returned and she wanted justice. These horses stole her land.
"Not so fast," said the princess. "You owe me for all the time I have spent here. I demand a game of dice to decide who keeps the land."
The evil woman, being an expert dice player, agreed with a sly grin.
The game began. The evil woman played with such ease, the Maximus struggling to keep up. The first round was lost. The evil woman demanded the Maximus give her the golden necklace the leader was wearing. The Maximus, unable to speak out of sadness of losing the game, handed the necklace over. The evil woman gives the Maximus three wishes. They wished for the land. They wished for the rest of their group to be reunited. The last wish, they had nothing to share.
The evil woman suggests they meet at the stream close to the tower. They met there and began the second game of dice. Eventually, the evil woman won and made an agreement to allow the Maximus to dwell over in the woods with the frogs and locusts, who were friendly creatures.
Eventually, the princess escaped and went to visit the Maximus. After a few years, she permanently lived with them. She was able to teach them how to use her hair to heal any wounds or illness they may have.
The End.


Rapunzel watched her grandchildren's sleepy eyes. As they closed, she knew it had been said. The story that clung to her soul for so long was out. It was now up to them to pass it on.

Bibliography:

"Reading Guide part A and B", R. K. Narayan, Reading Guide part B
"Indian Epics: Reading Notes, Week 06", Marla Duvall, Reading Notes,
"Tangled", Wikipedia, Tangled - Wikipedia


Author's Note: I took the story of "Narayan's Mahabharata", specifically parts A and B, and told the story from Rapunzel's point of view. Rapunzel represents the king of Hastinapura and part of the character of Arjuna. The evil woman represents Duryodhana. I wanted the story to have a lighter feel to it, so I included Disney characters from the movie "Tangled". The plot is similar to that of the Mahabharata because there is a game of dice and some tension between two parties. I wanted this story to really portray friendship and love because I felt as if the king tried to befriend the Pandavas. In this story, I made Rapunzel a good friend to the Maximus. This light-hearted, heart-warming story similar to parts A and B of the Mahabharata will hold to be a good bedtime story to anyone who listens.

Wednesday, February 21, 2018

Reading Notes, Narayan's Mahabharata, Part B

Reading Notes, Narayan's Mahabharata, Part B

Dhirtarashta and Duryodhana
Image Source
Plot:
Duryodhana is afraid because he receives news that the Pandavas are living and his dad isn't able to find any reason to be against the Pandavas. He is encouraged be a place of peace in the middle of the situation. Ultimately, the king invites the Pandavas to his kingdom in Hastinapura. He even offers that they could own a portion of the land. So they agree and they build a city Indraprastha.   Arjuna goes into exile for twelve year and ends up getting married to a naga princess names Ulupi. Yudhishthira is named king over the city of Indraprastha. A fire takes place at the Khandava forest and Maya is actully saved and ends up building an assembly hall full of illusion and provokes foolishness. Shakuni plans to get revenge on the Pandavas and his strategy is simple: play a game of dice, knowing that the Pandavas are unaware of the level of expertise that Shakuni possesses. They agree to meet for the game and wait in suspense. The dice game begins.   Suddenly, Yudhishthira has lost all. The game goes on anyways. Gambling happens and eventually Draupadi is gambled away and dragged out of the hall. She is mistreated and told to take her clothes off, yet every time her sari is ripped off, another appears in the same place. Bhima wants revenge. During this, the perpetrator of the mistreating of Draupadi (Duryodhana) gives her three wishes. After these wishes, the possessions of the Pandavas are given back and peace is retained again.

A second game begins. The Pandavas depart and Duryodhana is very angry with the whole situation and demands to have a second match of the game of dice. They meet at the Ganga river. The Pandavas end up living with the hermits in the woods and peace is decided, though attack was wanted on some sides. The allies of Krishna are promised to be punished. Yudhishtira is mocked for being so kind and forgiving. Arjuna visits Amaravati and is taught how to sing and dance. Urvashi is here and eventually Urvashi grows to love Arguna and he doesn't feel the same way. He gets cursed by her (wow that's harsh) but he gets blessed by Indra any way for his character. After a few years, Arjuna returns to Pandavas and learn how to fight with the weapons he brought and offered to them.

Characters:
Duryodhana-the eldest of the Kauravas
Dhritarashtra-King of Hastinapura, not easily persuaded and
Bhishma and Vidura
Ulupi-the naga princess who marries Arjuna
Yudhishthira-new king of Indraprastha
Maya-great ancient king of the asura, daitya and rākṣasa races
Shakuni-Duryodhana's maternal uncle 
Bhima-the second of the Pandavas
Urvashi-an apsara who falls in love with Arjuna

Setting: Kingdom of Hastinapura (later the city Indraprastha is built)
              Ganga river
              Amaravati, the heavenly city of Indra

BibliographyR. K. Narayan, The Mahabharata, Page 41-83 Narayan's Mahabharata Reading Guide 

Reading Notes, Narayan's Mahabharata, Part A

Reading Notes, Part A

Narayan's Mahabharata


Shantanu pursues Ganga 


Plot: Shantanu spots a woman near the river, and he marries her. He has no idea what he is getting himself into. She ends up drowning the babies in the river and when the eighth one comes along, he begs her not to. The wife confesses she is actually THE river, disappears and then agrees to let the eighth child live (Bhishma) and plans to reunite the child with his father later in his life. Shantanu finds love for another woman, Satyavati. They have some chaos happen when her father won't allow the relationship to continue. They end up having two children, Citrangada and Vichitravirya. Chitrangada is appointed king and tragically ceases to exist. Another king actually puts his daughters out to win a suitor. Bhishma takes all of them for Vichitravirya and even still Amba promises herself to the Shalwa king. Amba doesn't want revenge but Ambika and Ambalika still marry Vichitravirya, both women. Here's where it gets a little twisted and a little strange, but there is a happy ending! After a series of fish, Pandu shooting at a deer and the deer cursing Pandu, many sons are conceived and the boys conceived are trained by Drona. An escape is made from a fire. There is hiding, another attempt from King Drupada to get his daughters married off, and more husbands and wives getting married.

Character: 
Shantanu-King of Hastinapura
Ganga-river and wife of King of Shantanu
Vasus-the eight gods begot from Ganga
Devavrata/Bhishma-the eighth child of Ganga
Satyavati-second love of Shantanu
Chitrangada-king but then dies
Vichitravirya-other son of king
Amba, Ambika and Ambilika-daughters of neighboring king
Neighboring king

Setting: city of Hastinapura

Bibliography: R. K. Narayan, The Mahabharata, Narayan's Mahabharata Reading Guide 

Friday, February 16, 2018

Week 05 Story Planning: The Divine Archer

Week 05 Story Planning: The Divine Archer

Lord Rama, with brother, wife, and devotee.
http://www.fsmitha.com/h1/ch05d-ind.htm

Research:


While this article did not specifically identify Rama, the Divine Archer, it did shed some light on other epics of other divine archers from the Chinese and other cultures and people groups. We learn that the sky and sun are too a huge part of the story in defeating evil and monsters. Yi, the Chinese divine archer, was also a king. He saves his people and defeats dragons. A huge difference is how Yi met his wife. She was actually so grateful that he did not kill her that she wanted to marry him! So Yi and the goddess Chang O got married out of escaping death. 


"Ramayana translates as the Story of Rama. It is believed to have been written by a Brahmin named Valmiki, a man whose style of poetry was new and a style to be copied thereafter. It is said to have appeared between 400 and 200 BCE. The story takes place centuries earlier, when Aryans were expanding their influence over Dravidians in southern India, the Aryans engaging in missionary endeavors supported by military power and a strategy of divide and conquer. In its seven books and 24,000 verses the Ramayanapraises the heroism and virtues of Aryan warrior-princes: the Kshatriyas. The Ramayana has as its main hero a prince called Rama, whose life the Ramayana describes from birth to death. Rama and his brothers are depicted as embodying the ideals of Aryan culture: men of loyalty and honor, faithful and dutiful sons, affectionate brothers and loving husbands, men who speak the truth, who are stern, who persevere but are ready and willing to make sacrifices for the sake of virtue against the evils of greed, lust and deceit."

I really enjoyed the simplistic overview of the story of Rama. Though this article also did not specifically correlate with the Divine Archer, it holds a lot of solid background to what is to come in the Divine Archer. One of the main themes in the book is the brothers and their integrity and character. I enjoyed this more than any other themes, and would love to hear even more about the loving way they lived their lives. Nothing about them was selfish, but instead all about others and the people they were defending. Their love was never inward, but sacrificially outward. 
3. https://chs.harvard.edu/CHS/article/display/5903

"Because the Iliad and Odyssey and the Rāmāyaṇa and Mahābhārata are all culturally representative works that seek to appeal to broad audiences, these epic dyads highlight both mastery models and coping models. More precisely, within each pair of poems, one poem presents a hero who masters what he needs in order to demonstrate his society’s existential ideal, while the other poem proffers a hero who has to cope with difficulties in order to attain this ideal. The contrast between the mastery and coping models of these coupled epics takes symbolic shape in the disparity between their human heroes’ capacities to embody divinity."

This article does an excellent job capturing the comparison between the Iliad, Odyssey, Ramayana, and Mahabharata and how they all tie into society and the heroic ideals. This article proposes that the shape is all to capture divinity across cultures and the attainment of certain goals is very similar. 

"The mortal battle that results from this abduction occasions Rāma’s very existence, for the prince actually incarnates half of Viṣṇu. This god agreed to assume human form as Rāma and his three brothers in order to defeat the overweening Rāvaṇa (whose great-great-grandfather, the divine creator Brahmā, had rewarded Rāvaṇa’s austerities by making this demon invincible to all supernatural beings and vulnerable only to humans and other mammals).Yet, even though Rāma bests Rāvaṇa with the help of an army of monkeys and even though Rāma knows that Sītā has remained faithful to him during her captivity, he nonetheless insists that she prove her purity twice. The first time she does so, she undergoes and is unscathed by a fire ordeal.Still, despite her acceptance by her husband and their subsequent engendering of twin sons while reigning together as Ayodhyā’s king and queen, Rāma decides to banish Sītā to the forest to quiet the rumors of her infidelity that have continued to spread among the Ayodhyans. The couple then lives apart for more than twelve years, during which Sītā is sheltered by Vālmīki at his hermitage, where—early on—she gives birth to Rāma’s and her boys."

I found this super interesting. Rama gets banished by his father, and his wife is kidnapped. He, knowing all, knows she is still pure but still makes her prove it (why?) and then she is proven that she is pure. After a while, he banishes her anyway for twelve years and she is protected the entire time. This is the aftermath of the Divine Archer and gives some light on what happened afterwards. 

Bibliography:

Gould, F. J., & Banker, A. (1911). The divine archer, founded on the Indian epic of the Ramayana, with two stories from the Mahabharata. London: J.M. Dent & Sons.


MYTHOLOGY: THE NEGLECTED EPIC MYTH OF YI THE DIVINE ARCHER. (2016, September 15). Retrieved February 16, 2018, from https://glitternight.com/2012/03/17/mythology-the-neglected-epic-myth-of-yi-the-divine-archer/

(n.d.). Retrieved February 16, 2018, from http://www.fsmitha.com/h1/ch05d-ind.htm

Why People Need Epics: Terming and Learning from the Divine Yet Human. (n.d.). Retrieved February 16, 2018, from https://chs.harvard.edu/CHS/article/display/5903


Thursday, February 15, 2018

Reading Notes: The Divine Archer, part II

Reading Week 05: The Divine Archer Part II

The Cover of the Novel
https://www.amazon.in/Divine-Archer-Founded-Ramayana-Mahabharata/dp/1164212788

Characters:
Rama
Lady Sita
Bhavani, goddess
King Janak
Lakshman
King Dasa-ratha
Visva-mitra the good hermit

Setting:
The garden near the palace
City of Videha

Plot: Rama declares his love for Sita as they meet eyes. The princess remained silent. The maids recommended they go back to the palace, and the princess agreed. She decided to stop at the home of the goddess Bhavani and pray about the encounter she had just witnessed. A garland then fell among her, proof her prayer was heard. The princes told the guru what had happened. Rama remained in love with Sita. The trial of bows then took place and Sita came to watch. Rama was getting many brownie points from those in the crowd living in the countryside. All the kings came up and mounted the platform and none succeeded. King Janak was very upset. He believed from this experience that there truly were no more real men left. He wanted to end the time. The hermit said to get rama up there. Lakshman prayed this bow striking would hold the whole earth, remembering her vision of Rama as a child. The bow he held bent over all the sky. The crashing that happened shook the earth and all that lived in it. So many celebrated and so many kings grabbed their own bows to do harm to Rama. Suddenly, a tall dark man came out from the sky. The hermit appeared very upset because the bow of the god Siva had indeed been broken! Many threats were made. The hermit saw only one way, have Rama shoot the bow. He grabbed the loose bow and it immediately became strong. Celebration spilled over all the city, mostly because the marriage of Rama and Sita were to take place. Many people came near and far to bring gifts and offer their blessings. The procession was adorning. King Dasa-ratha was apart and so were the two noble sons and the good hermit Visva-mitra. On the day of the wedding, the bride and bridegroom walked hand in hand round the altar three times. So much happiness and love around. This party lasted many days and King of Ayodhya and his four sons and the four brides went home, to bring home also 25,000 chariots, 10,000 elephants, wagons of gold and jewels, buffalos and cows beyond counting. The sky begot flowers. The sacred kettle-drums rolled.

Bibliography: The Divine Archer, founded on the Indian epic of the Ramayana, Gould, Frederick James, 1855-1938

Link: https://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t0wp9vr87;view=2up;seq=14

Wednesday, February 14, 2018

Reading Notes: The Divine Archer, Part I

Title: The Divine Archer Part I

The Cover of "The Divine Archer"
https://www.amazon.in/Divine-Archer-Founded-Ramayana-Mahabharata/dp/1164212788


Reading Notes:

Setting
Geographic location: City of Oude

Characters:
King Dasa-ratha
The Brahmans (priests)
The Sun
Rama the Delight (Dark, son of Queen Kausalya), noblest, thunderbolt, flag, goad
Bharat, song of Queen Kaikeyi, also dark
Sons of Queen Samitra, Lakshman and Satrughna; they were fair
The Hermit, Visva-mitra
Janak king of Videha

Plot:

The King has been granted a new son. The city is celebrating and the imagery is clear there is much joy in the city people's hearts. The King, out of his joy, began giving out gifts, but not just any gifts. Gifts to the Brahmans (holy priests) of gold and the finest materials of the kingdom. Like there was so much joy that sun couldn't stop beaming for four weeks! It never set during that span of time and it provoked even more happiness in the people's hearts. And actually four sons ended up being born to the King. Rama was the darling one of the four. The mother noticed being with him over time that something was different. One single day, she sat and watched her son grow and grow and grow until he filled the whole world it seemed. In a moment, he was the small child again. She declared nobility over her son. He could play just as well as he could work hard. He learned quickly being taught by the same Guru who taught all of the brothers. The city loved him well. One day the hermit had an issue with evil Furies and Demons attacking him, so he decided to go to the King and ask for help from Rama. He stood at the gate and the king was happy he made himself known. He gave him his spill, and then the king hesitated and became downcast. He could not give up his son. Then the king decided to let all sons go with the hermit. Rama on the way back to the house killed a demon and the other two prince slept and ate through the night. In the morning, dark shapes floated over their heads and the brothers fought them off. Eventually they traveled around. Two of the sons were very into sleeping and resting, while the other two were more into admiring the beauty around them. Princess Sita walked through the garden as they picked flowers, she paused and then ran back. She asked those around what they saw, and they testified to the sight of two "noble youths".

Bibliography:

The Divine Archer, founded on the Indian epic of the Ramayana, Gould, Frederick James, 1855-1938

Link: https://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t0wp9vr87;view=2up;seq=14

Monday, February 12, 2018

Comment Wall

This is the link to my portfolio!

Rapunzel
Image Source
My Portfolio




Wikipedia Trails: From Shakespeare to English Literature

Wikipedia Trail


William Shakespeare (https://en.wikipedia.org/wiki/William_Shakespeare)
Shakespeare: His text and collected editions of text "First Folio" was published by his friends. There were 36 texts, including 18 printed at the same time.


First Folio (https://en.wikipedia.org/wiki/First_Folio)
"First Folio": Mr. William Shakespeare's Comedies, Histories, & Tragedies is the 1623 published collection of Shakespeare's plays. Modern scholars commonly refer to it as the First Folio. The First Folio is considered one of the most influential books ever published in the English language.


Foul Papers (https://en.wikipedia.org/wiki/Foul_papers)
Foul papers: Foul papers are the author's working drafts, leading up to the final product. The term is usually made known in the study of the plays of Shakespeare and other dramatists of English Renaissance drama. When the play was finished, a transcript of the papers was made known, by the person who originally created it.

English  Literature (https://en.wikipedia.org/wiki/English_literature#Late_Renaissance:_1625–1660)
English Literature: This is different from the literature of England. It includes the writings of other writers in different European countries, as well as around the world. Until the 19th century, English literature was only bound to Ireland and the UK.
Bibliography: 
English literature. (2018, January 26). Retrieved February 12, 2018, from https://en.wikipedia.org/wiki/English_literature#Late_Renaissance:_1625–1660

First Folio. (2018, February 10). Retrieved February 12, 2018, from https://en.wikipedia.org/wiki/First_Folio

Foul papers. (2018, January 23). Retrieved February 12, 2018, from https://en.wikipedia.org/wiki/Foul_papers

William Shakespeare. (2018, February 09). Retrieved February 12, 2018, from https://en.wikipedia.org/wiki/William_Shakespeare


Saturday, February 10, 2018

Week 04 Story: Harold, the Invasive King

THIS STORY CAN ALSO BE FOUND AT MY PORTFOLIO WEBSITE!

https://sites.google.com/view/marlasportfolio/stories/harold-the-invasive-king

Storytelling Week 4

Title: HEAR HEAR! Harold, the Invasive King

Story: NEWS FLASH! The great king Harold is now invading the Sooner tribe. This people group was once rich in their beautiful forestry and pastures of the Boomer. These people travelled to and from and were wanderers in the land. BUT A TWIST HAPPENS! These people suddenly suffer from a great disease called Crimson Disease and suddenly they are dropping at rapid rates. This kind then targeted this community and decides to invade at a weak, weak time of their existence even though they were his own people. "Now is the time", he proposes. "Now is the time to go in and win the battle they can no longer fight." Though Harold had supplied the food for these Sooners for every winter, he betrayed them. No doubt.

He was everything in regards to provision.

He brought ALL of the food and rivers they needed! He was completely aware of this and took the utmost advantage of the disease to finally rid of them once and for all, simply for his own pleasure. Though he had power to do all the good for the vegetable people, he chose to often times do the opposite, simply because he could. At many points in history, he even killed the Texas giant and slaughtered the Pigs. He was faithful to the people, regardless of where he came from. But gods tend to do what gods want to do, and he was felt it was time for a test to come upon the people of the Sooner tribe.

It is possible he has pressure from other gods to finally do something to even out the goodness and evil he expressed. This we will never know for sure, for gods business is their business and mere mortals only know so much. The Sooners lived near and under the Boomer hills and this is where he intended to slice through them and do a good amount of destruction.

He planned the day, the hour and the minute he would strike his "thunder strike" from the heavens above. He was preparing to make his strike, when he realized he couldn't do it. He just couldn't. But justice had to be served somehow! How? How could he do no harm but still serve justice? So he decided to take it out on the grass instead. The wind comes sweeping down the Boomer hills and he could wait until the wind was sweeping through the town and send a flame from the bolt to light the grass on fire. He knew this would be damaging for a while, and hurt them for a while. But the Sooners were so good at agriculture and farming that they would be able to restore their lands in no time.


Bibliography:  Mackenzie, D. A. (2014). Indian myth and legend. Delhi, India: Bharatiya Kala Prakashan.

Author's Note: I started with the story from Indian Myth and Legend called "Indra, King of the Gods", located in chapter one of the book. The story is about Indra, who has many functions as a god. He is the caretaker, god of fertility, Hammer god and many other things. He is pressured by other gods to be different for a certain time to the village. I renamed it "Harold, the Invasive King" and used OU references as an example of the people he oppressed with his hammer or axe, but gave a twist that he actually couldn't do it because he was kind for so long and could not change his kindness for them.

Indra, King of the God



Wednesday, February 7, 2018

Reading Notes: Narayan Ramayana, Part A

Reading Notes: Narayan Ramayana, Part A (Focusing on plot, character and setting)


Ravana fights Jatayu
Plot: 

Ravana abducts Sita suddenly as she is walking to and from. Ravana comes to Sita when she is alone walking and is disguised as an old hermit, ready to reveal his true identity when the time comes. the time then comes, and Ravana reveals who he truly is. Being the antagonist Ravana is, Sita then is picked up from the ground under her and Ravana takes her away, ever so tragically. Jatuyu then tries to save Sita but is killed by Ravana. Rama and Lakshmana come just in time to see Jatuyu being killed and dying. Jatuyu is on the verge of muttering words, perhaps words of wisdom or of love for them. But his last breath takes away any hope of knowing what he must of been thinking or wanting to say. Rama and Lakshmana begin heading over to monkey kingdom of Kishkinda, south of their current location where Jatuyu passed away. The evil monkey Hanuman is overwhelmed and angered at their presence there. He too waits for the perfect time to appear to them as they approach the wall. He jumps out, as a scholar, dressed to impress them with all his knowledge and discernment. Rama, being very good at seeing through disguises, realizes this is indeed a disguise and refuses to go ahead. Hanuman, being ever so loyal and honoring to Sugriva, allows them to pass by because of the connection and mutual ally. 

Characters: 

Ravana- primary antagonist in the ancient Hindu epic Ramayana (sneaky)
Sita-consort of Lord Rama (afraid)
Jatuyu- youngest son of Aruna (brave)
Lakshmana: younger brother of Rama (helpful)
Hanuman: monkey (mischievous)
Sugriva: brother of Vali, king of Kishkinda

Setting:

-Monkey Kingdom of Kishkinda
-the forest
-deserted underground kingdom

Bibliography: 

Gibbs, L. (1970, January 01). Indian Epics: Readings and Resources. Retrieved February 07, 2018, from http://iereadingguides.blogspot.com/2015/05/week-2-of-2-narayans-ramayana-reading.html

Monday, February 5, 2018

Topic Research Week 3

Topic Research Week 3

Magic Cow, source: Wikipedia

Topic #1: The First Adventure: No More Milk (influences from Rama and his sons Kusha and Lavaj in the Ramayana)

My notes: In the village, there is a lack of milk in the area, due to the exhaustion of the cows and there being so few of them with so many people in the village. The king was desperate so he searched for someone to help. Eventually, he found Lava and Kusha. They were known for finding solutions to problems so he invited them in the mission to heal the land of the milk problem. Their first idea to attack the issue was to perform the right magic on the cows so that they would begin to produce milk again, even to infinity. The only person able to do this was the "not-so-nice Rakshasi" and there was no guarantee she would help. The king gave his blessing to go, and also offered them a reward if they brought the magic back. They traveled long and far to see Rakshasi and she surprisingly welcomed them and said she knew they were coming. They explained the issue and she agreed to help on one term, she get a part in the reward. They hesitantly agreed and then went on their way with the pouch of grass she gave to give to the cows. Sure enough, the grass enabled the cows to produce buckets and buckets of milk! They received a lamp from the king.

Source: https://sites.google.com/view/doubletrouble2017/the-first-adventure-no-more-milk
Author's Note: "For this story, I used The Monday Story from the Deccan Nursery Tales by C.A. Kincaid, and I twisted it into an adventure for Kusha and Lava to go on. The story was originally in the same village and they had a lack of milk, but the story involved a god who they had to worship properly and one old woman solved the issue by feeding the children before offering to the god. The god's name was Shiva and her offer of the little that she had left created a religious miracle that multiplied the milk. I added the idea of magic cows because I thought it gave the story an interesting twist and it could help the town economically as well. In my version, I kept the name of the town and the basic characters but I added in Kusha and Lava and I made the old woman a rakshasi who did not live in the town, but practiced magic far away. I kept the character of the king, and I involved the lamp because it will lead into my next story. I am keeping the theme of Rama telling the story to his sons, but I am trying to link the stories together as I go. Next week's story will involve a magic lamp, so if you want to know what the lamp does you will have to read next week to find out!"

Topic #2: Surya, The Sun-God: Jatayu and Sampathi

My notes: Jatuyu and Sampathi (brothers) flew too close to the sun, whoops. Jatuyu bet Sampathi that he couldn't fly as close to the sun as he himself could. Jatuyu was slightly behind Sampathi most of the time until he suddenly sped up at the last minute. Sampathi sought to rescue his brother by throwing his wings around him, but then... PLOT TWIST! Actually the author changes this tragic story up a bit. They land safely, thought their wings are scorched greatly. Jatuyu had lost consciousness so he had no idea what just happened. Turns out, it's a play. They are on stage.

Author's Note: "This story was meant to be a take on the story of Jatayu and Sampathi and how they flew too close to the sun. In this case, the sun is Surya. As I wrote last week, Surya got in an accident with Sampathi, so Surya switched it up a little bit so he could be a more objective member of the audience. I'm trying to convey Surya's personality almost exclusively through dialogue and story choices at this point. When Jatayu was unable to speak in space with his brother, it was because they were in what we would consider the 'scientific' earth as opposed to the earth from the Ramayana or the Mahabharata. Surya realized this and gave them the capacity to speak in space, so that is why Sampathi could suddenly speak. I actually wanted to take this story a lot further, even into the part where Jatayu meets Rama and when Sampathi learned of his brother's death, but I ran out of space. In the original story, Sampathi and Jatayu are separated and never find each other. Jatayu is killed by Ravana and Sampathi learns of his death from Rama and his companions. Instead of making Sampathi and Jatayu be separated when they fall back to earth, I decided that I wanted it to be a little happier and I want it to be evident that Surya cares about the affairs of people and does not want many people to be in pain, so he helped keep the two together as they fell. This allowed them to stay together and it made their stories a little less tragic."

Source: https://sites.google.com/site/herecomessurya/jatayu-and-sampathi
"Sampathi" by R.K. Narayan, from The Ramayana: A Shortened Modern Prose Version of the Indian Epic (1972)

Topic #3: Epic Battles and Weapons, The Battle of Ravana and Rama

My notes: Shikha and Ronak (twins) walked away from Rama and his allies. They came across a statue of Sita, the wife of Rama. As they got out their cameras to take picture of the sight to show their parents, they realized they left the cameras in the backpack on the battlefield. So they walked back and on their way, they recognized a voice in the sky. The voice proclaimed, "So I see you return! You return to experience yet another battle between Rama and the evil demon king, Ravana!" They replied that they in fact would love to hear a story! The sky battlefield told the story and in great detail that the young twins could hardly contain their excitement. 

Author's Note: "I chose to do my second story over the epic battle between Rama and Ravana.  I thought it would be a good idea to change the battlefield to the sky; there were many weapons such as the fire and rain mantras and the arrows that were shot into the sky by those doing battle.  I solely used Buck's version of The Ramayana when I wrote this story; I felt like there was so much more detail and intensity when I read his version.  I decided to focus more on the things happening between the central characters, Ravana and Rama, rather than including a lot of the details about Matali and the rest of Rama's army.  One minor thing that I added to the original story was making the Wind weapon a tornado.  In Buck's version he says that they were just strong winds, but I figure that a tornado sounds more intense and harmful.  I think that the battle between Rama and Ravana is a battle that needs to be explained to the twin brothers wanting to learn about their culture.  This battle is a prime example of good conquering evil, and it gives people hope to know that this happens."


Source: https://sites.google.com/site/epicbattlesandweapons/the-battle-of-ravana-and-rama-2
Buck, William (1976).  Ramayana: King Rama's Way.